The five seasoned, well-respected musicians comprising Tusk have been making music together in various combinations and styles, in original outfits and in cover bands, for over twenty-five years. Tusk covers all the great hits of Fleetwood Mac, which has featured the talents of Mick Fleetwood, Christine and John McVie, Lindsey Buckingham, Stevie Nicks and others over the years. No wigs, no backing tracks, no gimmicks, just five musicians recreating the music of Fleetwood Mac to perfection! With note for note renditions, no other Fleetwood Mac tribute on the touring scene today can come close to TUSK. Tusk is the number one Tribute to Fleetwood Mac in the world, bar none. Tusk – The Ultimate Fleetwood Mac Tribute: The prices shown above do not include any ticketing or service fees. The Vaudeville Bar will open and begin serving 1 hour before the show Priority General Admission seating is available. Runtime: ~90 minutes, plus one 15-minute Intermission
Seating for this event is socially distanced General Admission. With that out of the way, I applaud anyone that wants to have a deeper conversation about such a multi-layered album, and I hope your initial post gathers many well considered responses! Tusk is awesome, and I know that you know that.Limited tickets available for each performance, so get yours soon! Tickets on-sale TODAY at 10:00 AM. All I know is that it’s inconsistency (in terms of commercial viability) and sprawling and wildly experimental nature keeps me coming back to it over and over (heh) over the years, and every time I drop the needle, press play on CD, or click play on Apple Music, I absolutely need to listen to the whole album from start to finish. I don’t have the experience of hearing this album on release day and being thrilled or disappointed. I can’t argue with your choices for a paired down album, but maybe the flow of the record seems a bit off now? “Over and Over” is the perfect album opener: the calm before the storm, the voice of reason before the first line of blow, the finger in the dam of what we expected from a Fleetwood Mac LP and what we received.įull disclosure, I am 38 years old and only heard Tusk for the first time in 2001, and it’s inconsistently wild spirit led me to explore beyond Rumours and self-titled back into the Bob Welch and Peter Green eras. Tusk is a hot mess of an album, and I love it for that.
Having said that, Godfather III in fact IS receiving a new re-cut courtesy of Francis Ford Coppola, and is said in the press kit to be an improvement, so what do I know? To me it seems as pointless as taking a classic movie like The Godfather or Gone With the Wind and debating which scenes could be cut and which deleted scenes could be re-edited in to improve the film. It is what it is, and people love or hate it for those qualities. I’ve never really understood the reasoning for endless personal restructuring of albums that have been in the public consciousness for decades.
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